Friday, 8 November 2013

Angel sculpture 2013

Angel by Kathryn Moores 2013. Glass, copper, brass, aluminium, plastic, paint and chicken bones.

An assemblage of discreet pieces creating an entity reminiscent of a biology specimen from a Victorian collection.  The anatomical influences make it at once recognisable as a rib cage, but the additional features, such as the moulded glass candlestick which acts as a stand, represent a clashing of eras and therefore timelessness.
The robot-like structure, referencing the early 1980's mechanical sculptures by the likes of Oppenheim, attempts to suggest a clashing as well as harmonious composition.
The chicken rib 'heart' invites the viewer to step forward and engage with the piece and is the only organic piece in a work which suggests the human form, if somewhat distorted.
The metal sternum invokes craftsmanship whilst the plastic foam ribs show modernity and disposability.

Inside the rib cage, suspended on brass plated wire is the red painted rib cage of a chicken in place of the heart.

Moulded glass candlestick base on magnifying mirror. 



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